| Year |
Title |
Source |
Link |
| 2018 [2019] |
Das Requiem und die beiden Weltkriege. Tod – Erinnerung – Trost – Musik |
Bart Ramakers (ed.), Memento Mori. Sterben und Begraben in einem ruralen Grenzgebiet / Sterven en begraven in een rurale grensregio (Historia Agriculturae 48). Groningen/Wageningen: Nederlands Agronomisch Historisch Instituut, 279-291. |
|
| 2019 |
Vicarious Ritual: Requiem Concerts as Vicarious All Souls’ Day Ritual |
Absent Ritual. Exploring the ambivalence and dynamics of ritual. Durham, N.C.: Carolina Academic Press, 167-186 |
|
| 2015 |
The interpretation and experience of the Requiem in contemporary culture |
Jaarboek voor liturgie-onderzoek / Yearbook for Ritual Studies 31, 133-147. |
|
| 2015 |
A Jewish Requiem commemorating the Second World War. The Performances of the Requiem by Hans Lachman |
Logan Sparks & Paul Post (eds.), The Study of Culture through the Lens of Ritual (NSRL 15). Amsterdam/Groningen, 117-130. |
|
| 2015 |
Modern requiem compositions and musical knowledge on death and afterlife |
Th. Cattoi & Ch. Moreman (eds.), Death, Dying and Mysticism. The Ecstasy of the End. New York: Palgrave Macmillan, 235-246. |
|
| 2013 |
All Souls’ Day Requiem concerts as civil rituals |
Questions liturgiques / Studies in Liturgy 94 (2013) 330-346. |
|
| 2012 |
De dag des oordeels. Het Dies irae |
F. Bosman (red.), Hemel en hel. Beelden van het hiernamaals in het westers christendom. Heeswijk: Uitgeverij Abdij van Berne 2012, 105-121. |
|
